Hugo Pics 2

9. Hugo

It is always nice to see directors try something different. Gone are the gangsters, the guns, the swearing and the violence. In their place, a love story to the birth of cinema and the artists and technicians who gave birth to the form that Scorsese has invested his considerable talents into.

As has been commented by those more insightful than me, it is interesting to see Scorsese employing cutting-edge 21st century techniques to portray what were cutting edge early 20th century techniques and his love for Méliès in particular and those cinematic pioneers in general shines through. “Come and dream with me” is a sequence as choked with emotion and nostalgia as anything in the finale of Cinema Paradiso, which is to say, it is breath-taking.

[yframe url=’http://www.youtube.com/watch?v=W_6SLjzoNA4′]

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Dave has been writing for HeyUGuys since mid-2010 and has found them to be the most intelligent, friendly, erudite and insightful bunch of film fans you could hope to work with. He's gone from ham-fisted attempts at writing the news to interviewing Lawrence Bender, Renny Harlin and Julian Glover, to writing articles about things he loves that people have actually read. He has fairly broad tastes as far as films are concerned, though given the choice he's likely to go for Con Air over Battleship Potemkin most days. He's pretty sure that 2001: A Space Odyssey is the most overrated mess in cinematic history.