Bertrand Bonello’s The Beast is a mesmerising and thought-provoking cinematic experience that blends elements of intelligent sci-fi, romance, and psychological thriller. Bonello’s distinct directorial style, combined with a compelling narrative and strong performances, makes this a standout in the sci-fi genre.
Set in a dystopian future where emotions have come to be regarded as dangerous liabilities, The Beast stars Léa Seydoux (Blue is the Warmest Colour, Spectre, No Time To Die) as Gabrielle, a troubled young woman grappling with her intense feelings in a society that prioritises rationality over feelings.
1917 and True History of the Kelly Gang star George MacKay plays Louis, Gabrielle’s enigmatic love interest, whose presence complicates her path to freedom from her own inner turmoil and doubts about her future.
Through a series of scenarios taking place throughout the ages – Paris at the turn of the 20th century and LA, 100 years later – the lovers’ interactions are fraught with tension, desire, and existential dread as they attempt to piece together their past traumas in order to be together forever.
Bonello’s visual storytelling is nothing short of spectacular. The film’s aesthetic is a striking blend of futuristic attention to detail and surreal, with meticulously designed sets that create a beautiful yet oppressive atmosphere. Josée Deshaies’ cinematography captures both the starkness of the dystopian environment and the intimate emotional moments between the lovers.
Bonello and co-writers Guillaume Bréaud and Benjamin Charbit deliver a truly innovative modern sci-fi that feels both fresh and original. It is a film that delves into generational trauma and female oppression, whilst exploring an array of modern issues such as alienation and toxic masculinity.
This is a bold and visionary title from a filmmaker who continues to explore the human condition with every new release. Bonello proves again that he is one of the most accomplished auteurs in his field. This, combined with stellar performances from Seydoux and MacKay, results in a hugely engaging and visually arresting film. Do not be put off by its 2 and a half hours running time, it simply won’t feel that long.
