2013-Venice-Film-FestivalFollowing the announcement that came earlier this week, launching yet another hugely impressive line-up at the 2013 Toronto International Film Festival, the respective line-up has now been announced for what is in some ways its European counterpart, the 2013 Venice Film Festival.

The announcement shows that the two will continue to have a number of films overlapping, including Alfonso Cuarón’s Gravity (the Opening Night Film in Venice), Peter Landesman’s Parkland, Stephen Frears’ Philomena, and more. But it also brings with its news of where a number of films will be making their debut, including Terry Gilliam’s The Zero Theorem; the latest film from Hayao Miyazaki, The Wind Rises; James Franco’s Child of God; Lee Sang-il’s Yurusarezaru Mono, the Japanese remake of Unforgiven; and Steven Knight’s Locke, led by Tom Hardy, and shot in one take.

In Competition

  • Es-Stouh – Merzak Alloucache (Algeria, France, 94’)
  • L’Intrepido – Gianni Amelio (Italy, 104’)
  • Miss Violence – Alexandros Avranas (Greece, 99’)
  • Tracks – John Curran (UK, Australia, 107’)
  • Via Castellana Bandiera – Emma Dante (Italy, Switzerland, France, 90’)
  • Tom à la Ferme – Xavier Dolan (Canada, France, 105’)
  • Child of God – James Franco (USA, 104’)
  • Philomena – Stephen Frears (UK, 94’)
  • La Jalousie – Philippe Garrel (France, 77’)
  • The Zero Theorem – Terry Gilliam (UK, USA, 107’)
  • Ana Arabia – Amos Gitai (Israel, France, 84’)
  • Under the Skin – Jonathan Glazer (UK, USA, 104’)
  • Joe – David Gordon Green (USA, 117’)
  • Die Frau Des Polizisten – Philip Gröning (Germany, 175’)
  • Parkland – Peter Landesman (USA, 92’)
  • Kaze Tachinu – Hayao Miyazaki (Japan, 126’)
  • The Unknown Known – Errol Morris (USA, 105’)
  • Night Moves – Kelly Reichardt (USA, 112’)
  • Sacro Gra – Gianfranco Rosi (Italy, 87’)
  • Jiaoyou (Stray Dogs) – Ming-Liang Tsai (Chinese Taipei, France, 138’)

Out of Competition

  • Space Pirate Captain Harlock – Shinji Aramaki (Japan, 115’)
  • Gravity – Alfonso Cuarón (USA, 90’)
  • Summer 82 When Zappa Came to Sicily – Salvo Cuccia (Italy, USA, 80’)
  • Pine Ridge – Anna Eborn (Denmark, 77’)
  • The Armstrong Lie – Alex Gibney (USA, 105’)
  • Redemption – Miguel Gomes (Portugal, France, Germany, Italy, 26’)
  • Ukraina ne Bordel (Ukraine is Not a Brothel) – Kitty Green (Australia, 76’)
  • Moebius – Ki-Duk Kim (South Korea, 90’)
  • Locke – Steven Knight (UK, 85’)
  • Yurusarezaru Mono (Unforgiven) – Sang-il Lee (Japan, 125’)
  • Wolf Creek 2 – Greg Mclean (Australia, 107’)
  • Con Il Fiato Sospeso – Costanza Quatriglio (Italy, 35’)
  • Amazonia – Thierry Ragobert (France, Brazil, 90’)
  • Die Andere Heimat – Chronik Einer Sehnsucht (Home From Home – Chronicle of a Vision) – Edgar Reitz (Germany, 225’)
  • O Sole Minnie (Gondola) – Paul Rudish, Aaron Springer, and Clay Morrow (USA, 3’)
  • The Canyons – Paul Schrader (USA, 99’)
  • Che Strano Chiamarsi Federico – Scola Racconta Fellini – Ettore Scola (Italy, 93’)
  • La Voce Di Berlinguer – Mario Sesti and Teho Teardo (Italy, 20’)
  • Walesa. Czowiek Z Nadziei (Walesa. Man of Hope) – Andrzej Wajda and Ewa Brodzka (Poland, 120’)
  • Feng Ai (’Til Madness Do Us Part) – Bing Wang (Hong Kong-China, France, Japan, 220’)
  • At Berkley – Frederick Wiseman (USA, 244’)

Orizzonti

  • Quello Che Resta – Valeria Allievi (Italy, 20’)
  • Bauyr (Little Brother) – Serik Aprymov (Kazakhstan, 95’)
  • Il Terzo Tempo – Enrico Maria Artale (Italy, 96’)
  • Je M’Appelle Hmmm… – Agnès B. (France, 120’)
  • Death for a Unicorn – Riccardo Bernasconi and Francesca Reverdito (Switzerland, 15’)
  • Kush – Shubhashhish Bhutiani (India, 20’)
  • Toutes Les Belles Choses – Cécile Bicler (France, 17’)
  • Un Pensiero Kalašnikov – Giorgio Bosisio (Italy, UK, 21’)
  • Eastern Boys – Robin Campillo (France, 128’)
  • Palo Alto – Gia Coppola (USA, 100’)
  • Ruin – Amiel Courtin-Wilson and Michael Cody (Australia, 87’)
  • Aningaaq – Jonas Cuarón (USA, 7’)
  • Blanco – Ignacio Gatica (Argentina, 8’)
  • The Audition – Michael Haussman (Italy, 9’)
  • Mahi Va Gorbeh (Fish & Cat) – Shahram Mokri (Iran, 127’)
  • Vi Är Bäst! (We Are the Best!) – Lukas Moodysson (Sweden, Denmark, 102’)
  • Wolfskinder (Wolfschildren) – Rick Ostermann (Germany, 91’)
  • Houses with Small Windows – Bülent Öztürk (Belgium, 15’)
  • La Vida Después – David Pablos (Mexico, 90’)
  • Algunas Chicas – Santiago Palavecino (Argentina, 100’)
  • Medeas – Andrea Pallaoro (USA, Italy, 98’)
  • Still Life – Uberto Pasolini (UK, 87’)
  • La Gallina – Manel Raga (Spain, 17’)
  • Piccola Patria – Alessandro Rossetto (Italy, 110’)
  • La Prima Neve – Andrea Segre (Italy, 104’)
  • Minesh – Shalin Sirkar (South Africa, Germany, Denmark, 12’)
  • Jigoku De Naze Warui (Why Don’t You Play In Hell?) – Sion Sono (Japan, 126’)
  • Sishui (Stagnant Water) – Xiaowei Wang (China, 17’)
  • The Sacrament – Ti West (USA, 95’)
  • Cold Snap – Leo Woodhead (New Zealand, 11’)
  • Ballkoni – Lendita Zeqiraj (Kosovo, 20’)

Venice Classics

  • Le 15/8 (1973) – Chantal Akerman (Belgium, 42’)
  • Hôtel Monterey (1972) – Chantal Akerman (Belgium, USA, 65’)
  • Little Fugitive (1953) – Ray Ashley, Morris Engel, and Ruth Orkin (USA, 75’)
  • Profezia. L’Africa Di Pasolini – Gianni Borgna (Curated By ~) (Italy, Morocco, 77’)
  • Non Eravamo Solo… Ladri Di Biciclette. Il Neorealismo – Gianni Bozzacchi (Italy, 72’)
  • Pane e Cioccolata (Bread and Chocolate) (1974) – Franco Brusati (Italy, 100’)
  • Tian Mi Mi (Comrades: Almost a Love Story) (1996) – Peter Ho-Sun Chan (Hong Kong, 118’)
  • Quién Sabe? (A Bullet for the General) (1966) – Damiani Damiani (Italy, 120’)
  • My Darling Clementine (1946) – John Ford (USA, 97’)
  • Sorcerer (1977) – William Friedkin (USA, 121’)
  • A Fuller Life – Samantha Fuller (USA, 80’)
  • Moy Drug Ivan Lapshin (My Friend Ivan Lapshin) (1984) – Aleksey German, Sr. (URSS, 100’)
  • Bertolucci on Bertolucci – Luca Guadagnino and Walter Fasano (Italy, 120’)
  • Sjecaš Li Se Dolly Bell (Do You Remember Dolly Bell?) (1981) – Emir Kusturica (Bosnia and Herzegovina, 107’)
  • Trespassing Bergman – Jane Magnusson and Hynek Pallas (Sweden, France, 107’)
  • White Rock (1977) – Tony Maylam (UK, 80’)
  • Lino Micciché, Mio Padre. Una Visione Del Mondo – Francesco Micciché (Italy, 81’)
  • Yoru No Henrin (The Shape of Night) (1964) – Noboru Nakamura (Japan, 107’)
  • Furyo (Merry Christmas Mr. Lawrence) (1983) – Nagisa ?shima (UK, Japan, 123’)
  • Higanbana (Equinox Flower) (1958) – Yasujir? Ozu (Japan, 118’)
  • Nidhanaya (The Treasure) (1970) – Lester James Peries (Sri Lanka, 108’)
  • La Proprietà Non È Più Un Furto (Property is No Longer a Theft) (1973) – Elio Petri (Italy, 126’)
  • The Most Dangerous Game (1932) – Irving Pichel and Ernest B. Schoedsack (USA, 59’)
  • Mahapurush (The Holy Man) (1965) – Satyajit Ray (India, 65’)
  • Kapurush (The Coward) (1965) – Satyajit Ray (India, 69’)
  • La Bête Humaine (1938) – Jean Renoir (France, 109’)
  • Providence (1977) – Alain Resnais (France, Switzerland, UK, 102’)
  • Le Mani Sulla Città (Hands Over the City) (1963) – Francesco Rosi (Italy, France, 100’)
  • Paisà (Paisan) (1946) – Roberto Rossellini (Italy, 134’)
  • Il Bacio Di Tosca (Tosca’s Kiss) (1984) – Daniel Schmid (Switzerland, 87’)
  • Il Bacio Di Tosca, Une Restauration Numérique – Richard Szotyori (Switzerland, 16’)
  • Vaghe Stelle Dell’Orsa… (Vague Stars of Ursa…) (1965) – Luchino Visconti (Italy, 100’)
  • Let’s Get Lose (1988) – Bruce Weber (USA, 120’)
  • Nice Girls Don’t Stay for Breakfast (Work In Progress) – Bruce Weber (USA, 30’)
  • Dogfar Nai Mae Marn (Mysterious Object at Noon) (2000) – Apichatpong Weerasethakul (Thailand, 89’)
  • The Adventures of Hajji Baba (1954) – Don Weis (USA, 94’)
  • Yangguang Canlan De Rizi (In the Heat of the Sun) (1993) – Jiang Wen (China, Hong Kong, 140’)
  • Istintobrass – Massimiliano Zanin (Italy, 105’)