As
An American family travel to Paris on business, but the engaged couple of the party, Gil (Owen Wilson) and Inez (Rachel McAdams), find the culture and lifestyle starting to interfere with real life, and they are forced to confront the illusion that a life different from their own is better.
Midnight In Paris is by far one of the best Allen films out for a couple of years. The film-maker has dabbled in other major cities around the world, such as Barcelona and London, with little charm or lasting impression. What Allen taps into in this is the natural mystique of Paris. Hence the rest of the tale feels more magical.
The charming trademark neurosis of Allen’s characters is back in full force – his 2010 film, You Will Meet a Tall Dark Stranger, was just too self-absorbed and self-commiserating to allow audiences to really care for the characters they were watching. In this, Wilson is an absolute delight in one of his best roles for years as troubled writer Gil, who pines for past creative eras because he longs for a creative eureka moment. His ‘episodes’ with literary, artistic and film-making historical legends is incredibly quaint and light-hearted, and stirs a nostalgic passion we all sometimes feel of a better life lived that is now past.
Wilson is particularly apt at playing the wide-eyed innocent in his films, characters full of flaws and self-depreciation, that when he shares the company of the likes of Ernest Hemingway (Corey Stoll), F. Scott Fitzgerald (Tom Hiddleston), Pablo Picasso (Marcial Di Fonzo Bo) and Gertrude Stein (Kathy Bates) in this, it’s the same wonderful thrill you get watching an overly appreciative kid in a candy store, brimming with newfound confidence. In addition, fans of these great minds will revel in their quotes and references. It’s a gloriously amusing cultural jaunt, and although a lot of the episodes are brief, the snapshot moment is all it takes to beguile you.
Midnight In Paris is like a soothing, retrospective project for Allen, his very own journey to recapturing creative inspiration and fantasy, as he rekindles his character love affair that made him such a satisfying film-maker a couple of decades ago, and brought out the very best performances in his cast – as it does here. Although it suffers from a sobering moment of moralistic self-righteousness about ‘living in the present’ to be more fulfilled, Midnight In Paris is an effervescent, witty and absorbing tale lost in time.
[Rating:4/5]