Statham’s character ‘Brant’ is a detective sergeant who belongs in the Ashes to Ashes and Life on Mars era of policing, where his sheer disregard for authority and hilariously outdated misogynistic and homophobic attitude would have been welcomed with a loving embrace. On the edge and teetering close to burning out, he’s teamed with a new station sergeant, Porter Nash (Paddy Considine, giving a performance in tune with the material he has to work with here) to catch a serial killer who is gunning down what appears to be random cop targets. As the killer is revealed, the two detectives race against the clock to bring him down before he strikes again.
Statham plays that same moody, gravel-voiced character you’ve seen numerous times before, but he still has that puzzlingly magnetic screen presence, particularly as he goes about his decidedly old-school, un-PC ways, like showing complete ignorance for the smoking ban, be it in a pub or sat in the immaculately-kept office of his chief inspector. At one point, he snarls back at a witness who enquires whether he’ll be taking a statement, “do I look like I carry a pencil?!?” Considine (saddled with the kind of ridiculous character name normally associated with the US action films Blitz takes a heavy cue from) is here to pay the bills and nothing more, as is another esteemed British thesp, David Morrissey, who has a thankless and scrawny role of a news reporter whom the killer decides to reveal himself to. The only actor to really giving it his all is Queer as Folk and The Wire veteran, Aiden Gillen. He’s fantastic as the unhinged and thoroughly creepy serial killer, who savours every moment in the limelight as the cops close in – an interesting character quirk which, unfortunately, is never fully explored.
[Rating:2.5/5]