It’s been another strange year. Perhaps more so than ever, the way films have been released has been in a confusing state of flux. What’s coming to cinemas? If it makes it how many screenings will it actually have? What’s going to which streaming service, and when? There have been a lot of excellent movies released in 2021, but sifting through them has been challenging, even if you’re doing your best to keep up.
Here, the HeyUGuys team have a few suggestions for things that may have slipped through the cracks, but which we think you should catch up with.
Daniel Goodwin Recommends
The Summit of the Gods (Patrick Imbert)
Based on the Jiro Taniguchi manga, this visually breath-taking, staggeringly dramatic, 90s set, French animated feature tells the tale of Nepal based, Japanese photojournalist Makato Fukamachi (Damien Boisseau), who happens upon the old Kodak camera of a climber who died in the first Mount Everest expedition, back in 1924.
Fukamachi tracks the camera to reclusive climber Habu Joji (Rich Ting), who was believed to be missing for many years. Fukamachi then joins Joji on a potentially perilous expedition where the men learn more about each other’s true natures while battling death defying odds and trekking through/ ascending such majestic, mountainous settings.
Despite this, it is still a total joy to behold on the small screen at home with beautiful animation that perfectly captures the biting cold and tension of Fukamachi and Joji’s adventure.
The Summit of the Gods is available on Netflix.
Sam Inglis Recommends
Shadow in the Cloud (Roseanne Liang)
Liang and co-screenwriter Max Landis (I don’t think it’s tough to see the join between their material) serve up a lot of different movies in Shadow in the Cloud’s slender 83 minutes, from World War 2 actioner to claustrophobic thriller to B Monster movie. With its incident packed narrative, ludicrously silly action, vivid red and green lighting and synth score this often plays like a throwback to bottom shelf ’80s video store fare, but it’s more fun and smarter than that.
Shadow in the Cloud is available on Amazon Prime and on UK DVD in February
Holler (Nicole Riegel)
Writer/Director Nicole Riegel makes her feature debut here and, while the film’s incident might occasionally feel rote, the dialogue is grounded and well written, and her visual sense is striking. Almost every frame of the film features faded red, white and blue, whether it’s in Ruth’s clothing (notably her hat) or somewhere in the background. It’s as if we’re seeing the looming presence of the unfulfilled American dream seep into the movie.
It’s not a perfect movie, but its the kind of small, character driven thing that allows great actors to grow without having to do the kind of histrionics that so often impresses awards juries. In short, I wish it, and a hundred things like it, had been properly released.
Holler is available on US Download services including ITunes, Amazon Prime and GooglePlay
A Ghost Waits (Adam Stovall)
Adam Stovall’s film, co-written with lead actor MacLeod Andrews, finds aimless 30 year old handyman Jack fixing and cleaning up a rental property after the occupants leave in a hurry, breaking their lease. It’s not the first time, and Jack soon finds out that it’s because the house is haunted by Muriel (Natalie Walker, making a strong feature debut). In the process of trying to finish his job, he falls for Muriel, making her job rather difficult.
What’s most refreshing though is the film’s second and third act shift to romantic comedy. Stovall and Andrews’ dialogue makes an easy connection between Jack and Muriel, and Natalie Walker’s shift from being annoyed that she can’t scare Jack away to having Muriel be as drawn in by him as he is by her feels natural. By the film’s end, their relationship is genuinely sweet and funny. On the whole it’s a great mix of elements, from parody to comedy to honest emotion, and you don’t often get all of that in 79 minutes.
A Ghost Waits is available on Arrow Video Blu Ray, and on Arrow Player.
Jon Lyus Recommends
Sound of Metal (Darius Marder)
Ahmed’s considered, powerful evocation of the raw emotion one undergoes when the known world changes is one for the ages. Few actors are neither given the chance, nor have the ability, to lead a film with a vulnerability which has such visceral propulsion.
Directorial choices from Marder help to envelope us into this new world of Ahmed’s character, Ruben. In directing a film of this nature he is walking through a cliche minefield. Yet, with the help of his cast, he soars high above it.
You may not have heard much about it, but – trust me – this is a film people will be talking about for years.
Sound of Metal is available on Blu Ray and on Amazon Prime
In the Earth (Ben Wheatley)
Assuredly mixing blood-soaked horror, English folklore and the present tussle between dreads real and imagined, Wheatley’s descent into the dark of the forest is one of his finest films yet.
In The Earth is available on Blu Ray, Sky Go and multiple download services
Censor (Prano Bailey-Bond)
Like Peter Strickland’s 2012 film Berberian Sound Studio, Censor asks a lot of us. Like the best art we are invited to bring much of ourselves to the film. Suggested violence and gore is often more effective than what is shown on screen, and that has never been more true.
The Video Nasty outrage is fertile ground for a horror film. Censor cleverly evokes the moral panic while asking and answering the question of what it means to be overexposed to the films in question.
Censor is available on Mubi and Sky Go, and comes to Special Edition Blu Ray on January 31st
Liam MacLeod Recommends
Cowboys (Anna Kerrigan)
While Jillian Bell imbues a transphobic mother with impressive empathy, engagingly fun and folksy but desperate not to lose the daughter she’s always wanted. Also, Ann Dowd plays the badass cop tracking Joe and Troy, and how can you not love the idea of Ann Dowd playing a badass cop?
Cowboys is available on Sky and Now TV, and on multiple download services.
Rose Plays Julie (Joe Lawlor, Christine Molloy)
The film toys with the slippery slope of imitation to actualization. Rose’s vocation as a veterinary student providing both an outlet and the tools for her violent impulses. Her mother (Orla Brady) is revealed to be an actress who has spent a career pretending to be someone, anyone other than the victim she was. So too does Rose play a part, posing as an actress researching a role, to get close to her father, played to snakelike perfection by Aiden Gillen.
Rose Plays Julie is available on Blu Ray and multiple download services.
Love and Monsters (Michael Matthews)
A meteor has mutated all of Earth’s animals into nigh unkillable monsters and the few remaining humans cower in bunkers from the hellscape above. Until absolute dolt Joel (Dylan O’Brien) ventures out in search of his ex-girlfriend because he’s sick of being the last single guy in the vault. Honestly, who’d blame him? Once you get past the notion of Dylan O’Brien lacking romantic interest what follows is a exciting cross country journey filled with unique creature designs and an excellent eye for action by South African director Michael Matthews.
Love and Monsters is available on Netflix
Ben Robins Recommends
Wrong Turn [2021] (Mike P. Nelson)
This newest entry, a semi-remake penned again by McElroy, feels like a whole trilogy in one, skimming over the original concept before spinning off into a much more nuanced and interesting look at backwood cults. At times darkly funny, at others feeling like the plot from a lost Resident Evil game, it’s a fascinating (and genuinely fun) look at how to revitalise even the most spiritless of franchises. Even the end credits are killer.
Wrong Turn is available on Blu Ray and Netflix
Greenland (Ric Roman Waugh)
The film itself though, is actually anything but, dropping Butler into more of an everyman, and swapping out green-screen silliness for something that’s been missing from these sorts of movies for far too long – human characters, and genuine, nail-shredding tension.
Greenland is available on Amazon Prime
David Roper Recommends
I Care a Lot (J. Blakeson)
Anchored by a superbly sociopathic performance from Rosamund Pike, ably supported by Peter Dinklage, Eiza Gonzalez, Dianne Wiest and Chris Messina, I Care A Lot tells the tale of a professional court-appointed legal guardian, who gets herself appointed to manage the financial affairs of the isolated and wealthy, only to then dump them in a care institution and bleed them dry in legal fees. Pike’s Marla Grayson stumbles on Wiest’s seemingly vulnerable, wealthy elderly lady, sees dollar signs, but fails to reckon on her in fact being much cherished by a gangster who does not take at all kindly to her being exploited.
Having said that, one would also tend to think that the brouhaha this year over Britney Spears and her suffering under the heavy hand of a conservatorship (much the same legal structure as I Care A Lot covers) would have piqued audience’s interests a lot more in I Care A Lot – how can this sort of thing happen? and so forth – but I suspect that this is part of the issue with streaming audiences. Films might feature prominently for a week or so on the home page of (in this case) Amazon Prime, but very quickly audiences are seeking out new content and so the machine has to keep rolling. I can’t help but feel that in a different time, with a more conventional roll out in theatres, with building word of mouth, this might have been a modest hit.
It is a molasses-black comedy thriller and further proof (if it were needed) that no-one can match Pike for presenting gentle, elfin features that belie a heart of darkness. Fascinating, gripping, compelling and well worth your time.
I Care a Lot is available on Amazon Prime
Jo-Ann Titmarsh Recommends
This debut feature by Italian rising star Laura Samani could easily fall off your radar, but it is worth seeking out. It is a tale steeped in folklore and religion, interweaving pilgrimage and fairy tale. A young woman, Agata (Celeste Cescutti), gives birth to a stillborn baby. The only way for her daughter to receive a baptism is for her to take one breath after birth. For this to happen, Agata must embark on a perilous journey from her seashore home and up into the mountains (where curious woodland creatures and brigands reside) in order to reach the miraculous shrine.
Small Body is yet to be released in the UK