Leigh Whannell’s Upgrade was one of the best films of last year, with a keen, kinetic style to flesh out his visceral take on body horror. Today we see the director take on an old favourite, a key horse in the Universal Horror stable – The Invisible Man.
Here’s the trailer,
Entertainment Weekly had the first look images and spoke to director Leigh Whannell about updating the monster for a new century.
The image of the Invisible Man in the floating trench coat and the floating sunglasses is one that is clearly etched into the public consciousness…I wanted to kind of get away from that and make something that was really modern, really grounded, or as grounded as you can be when you’re dealing with a film called The Invisible Man. Just something that was really tense and scary in a way The Invisible Man hasn’t been before.
the script is really a one-woman show. Elisabeth Moss is the centerpiece of the film, and she’s in pretty much every scene. I feel like, if you’re going to hang an entire film on someone’s shoulders, you need an actor as good as Lizzie.
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO’s Euphoria).
But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.