Seong-ho Jang’s The King of Kings offers a visually stunning and emotionally resonant animated reimagining of the life of Jesus Christ, enhanced by a distinguished voice cast. Featuring Oscar Isaac as Jesus, Kenneth Branagh as Charles Dickens, and Jojo Rabbit star Roman Griffin Davis plays young Walter, the film distinguishes itself by presenting a fresh and imaginative perspective on the well-known Gospel narrative.
The film uniquely frames the biblical story through the lens of Charles Dickens’ storytelling to his son, Walter, through this adaptation of the legendary author’s The Life of Our Lord. This narrative device adds a personal and heartfelt dimension to the timeless tale, fostering a sense of intimacy and deeper engagement for the audience.
One of the film’s greatest strengths is its unique narrative structure. Much like A Christmas Carol, Dickens and Walter move through key moments in Christ’s journey, from the Nativity to the Resurrection, experiencing the tale as if they were part of it. This perspective brings a sense of wonder and discovery that makes the film especially appealing to younger audiences. While the pacing occasionally lingers, the film’s emotional depth and strong character interactions keep it compelling throughout.
The voice performances are exceptional across the board. Oscar Isaac’s Jesus is portrayed with warmth, wisdom, and quiet strength, making him feel deeply human yet divinely powerful. Kenneth Branagh brings gravitas and charm to Dickens, while Roman Griffin Davis perfectly captures Walter’s youthful curiosity. Forest Whitaker gives Peter a down-to-earth sincerity, and Pierce Brosnan delivers a commanding yet nuanced performance as Pontius Pilate. Every actor breathes life into their character, elevating the film beyond its animation.
Speaking of animation, The King of Kings offers breathtaking visuals, with gorgeously detailed backgrounds, rich textures, and stunning lighting that make each scene feel immersive. The storybook aesthetic beautifully complements the film’s themes of faith and sacrifice. While some of the character designs are stylised in a way that may take some getting used to, they don’t detract from the film’s overall beauty and artistic ambition. The Crucifixion and Resurrection sequences, in particular, are visually powerful and emotionally stirring.
Though it may not have the grandeur of classic biblical epics, The King of Kings is a deeply heartfelt and visually striking film that succeeds in making the story of Jesus accessible to a new generation. With a creative narrative structure, a talented voice cast, and a sincere emotional core, it is a film that will resonate with families and faith-based audiences alike.
By weaving Dickens’ paternal perspective into the sacred narrative, The King of Kings creates a compelling and accessible experience.
