Legendary filmmaker Luc Besson sits down with us to reveal the surprising truth behind his new take on Dracula — and why he doesn’t see it as a horror film at all. Rereading Bram Stoker’s classic novel sparked a vision rooted not in fear, but in heartbreak, immortality, and obsession, centered on a man who has waited 400 years simply to say goodbye. For Besson, this Dracula feels closer to Beauty and the Beast than to any traditional vampire movie.
Besson opens up about working with Caleb Landry Jones, whom he describes as both a genius and a true muse. Their creative partnership, strengthened after DogMan, shaped the emotional core of the project, with Caleb’s presence inspiring the entire film. Together they explore themes of art, loneliness, time, and the curse of immortality — ideas that give this interpretation of the iconic character an unexpectedly intimate and human focus.
Besson also shares insights into casting Zoë Bleu, recalling her remarkable audition and the surprising connection to her acting dynasty – she is the daughter of Rosana Arquette. He discusses how fear, tragedy, and romance intertwine to create a fresh, emotionally rich reimagining of Dracula. For those who love Besson’s storytelling, bold visuals, or genre-blending career — from sci-fi to action to character-driven drama — this interview is filled with passion, perspective, and intriguing revelations.
