Visually the film is inventive and rich in detail, it is a film of ideas rather than echoes and emblems of a property steeped in popular culture. Inception is not the second coming as some have predicted but it doesn’t need to be. It is a simple story transported to a world familiar to us all, but until now has rarely been so effectively rendered on screen.
You could accuse the marketing department, showing the images of Paris enfolding and streets exploding in the trailers, of ruining the spectacle. But these are mere hints of what is in store. In common with The Matrix, a film which is easily an influence, conscious or not, you cannot be told what Inception is, you do have to see it for yourself. Yes, it shares ideas (and some direct images) with this film and others like Satoshi Kon’s Paprika but it grounds itself in a reality far from the colourful dreamscapes of Kon’s film and with less cartoon like elasticity of the world of Neo.
There are breathtaking moments, shadows of Escher appear while we are lead through the malleable world of dreams and tight restrictions are introduced which conspire to deliver the tension which Nolan ramps up right to the very last twist of the knife.
The celebrated trailer shots of suspended bodies and zero gravity fights appear and deliver the film’s action points, but there is a tightly controlled and contrived plot behind it all and it earns the emotional points it scores.
The ideas behind the film are relatively unusual for a summer blockbuster and Inception cannot escape the slow start in which the audience is introduced to the ideas at play, but Nolan peppers the interplay with hints to a greater understanding rather than explaining it outright. The mystery escapes the muddle with an impeccable cast and a script which does as much to control the potential chaos of the ideas in play without ever feeling cheap.
Nolan has spoken of his influences (see our Exclusive interview with Nolan here) for the film, alluding to Escher (whose work we see stunningly adapted in its rendering here) and the labyrinths of Borges and the film needs a strong hand to guide you through its intricacies and Nolan and DiCaprio conspire to bring the wandering heroes of Borges to life here, with confusion and a worrying surrealism on one side and oblivion on the other.
DiCaprio and Joseph Gordon-Levitt spark off of each other and Nolan newcomer Ellen Page does well with what is, at its essence, a cipher for the audience and her role is lost a little in the ensuing reality warp. Tom Hardy is easily the most exciting talent on offer here and makes the most of his character’s careless charm.
Inception is released in UK Cinemas July 16th. You can view all our coverage of the movie here.
You thought it was good Jon… But was it an entertaining experience?
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It was entertaining, Tony, and the two and a half hours or so went by quickly – once you're into the heist you stay involved to see how it will all turn out. It's very cold though, with virtually no humour, it's like getting a quantum mechanics lesson from a very good professor. With explosions. I enjoyed it, and I think most people would.
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Did Nolan up for a directing class and hold his camera steady for a minute because he finally had enough confidence in his “script” to the let action unfold without him giving the audience motion sickness? Anywhizzle, I'll stick with Kon. Wonder if “The Dreaming Machine will come out anytime soon, and if it's going to be about, exactly what it sounds like it'll be about.
Thanks, that's good enough for me!
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I really believe that this movie will blow people's minds. Nolan creates worlds in his movies that you believe you could be in… and DiCaprio, Murphy and Joseph Gordon-Levitt are great actors. http://ow.ly/29jTz
Personally the worlds I imagine I'd be in have some form of humor in them, which Nolan seems to be impossible to do. Also you know, my worlds don't give my motion sickness when “interesting” things are going on. The interesting things keep my interest, not the movement around them.
Then again you know, I'm of the impression most people realize Nolan is an amateur film maker given big budgets. Where when he had no budget he made the entertaining/interesting films and now with the big budgets makes boring shite.
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I found your entry interesting do I’ve added a Trackback to it on my weblog :)…
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cool movie, make me think along the film playing
everyone talk about this movie..
sounds great..
This film is not for those who want entertainment or mushy emotions; this is a complex film that appeals only to the serious and thinking audience.
great spoiler proof review Jon – thanks
The first time I watched the Matrix I was fairly bamboozled – repeated viewing and a clearer understanding opens it up as a more fulfilling and enjoyable film in my opinion. Be interesting to see if the same thing happens here…
It’s about time we had a sensible reevaluation of this film: