Though, as the title alludes to, Red Dog: True Blue has a narrative that centres around a canine protagonist – the eponymous role is somewhat irrelevant. Blue, as he’s called, may be in every single scene, but he’s merely acting as our eyes, observing a coming-of-age tale play out in front of him, as we watch on as a teenager falls in love, learns how to cope with his mother’s illness, and navigates his way around these formative years in his life. The dog is but a mere voyeur, which, as a viewer, is all we ever are. Plus, he doesn’t say much.
Directed by Kriv Stenders, who helmed the preceding endeavour, titled just Red Dog, is back here presenting what is effectively a prequel, as our tale begins with Michael Carter (Jason Isaacs) recounting his experiences with this special animal to his son as a bedtime story. His anecdote takes him back to his youth – where’s he played by Levi Miller, a wide-eyed kid sent away to live with his grandpa (Bryan Brown) after his mother is admitted to a facility. Stuck out in the middle of nowhere, with only really Taylor Pete (Calen Tassone) he can call a friend, he finds a puppy, covered in blue paint (hence the name) – and from thereon the pair become inseparable, as he looks to his new pet for companionship, love, and even advice, as he starts to fall for his teacher Betty (Hanna Mangan Lawrence) – thus beginning the life, and fabled tale of the iconic Red Dog – who went on to become an Australian legend.
The original film was something of a surprise hit too, offering kitsch family entertainment that had a lasting effect, and fans will be pleased to hear this follows on in much of the same fashion, as a tonally identical film – which is all you could really hope for, and expect, from this particular piece of cinema.