We spoke to actor Tony Hale about his brillaint new film Sketch. The actor discussed the long and emotional journey behind the film, which took eight years to make. He explained that what drew him to the project was its deeply human story about grief, family, and emotional connection, wrapped in a fantastical premise. Hale, who also serves as a producer, said he was immediately taken by director Seth’s creative concept and his background in special effects, which promised both visual imagination and emotional depth. As a self-described girl dad, Hale related personally to the film’s themes of parenting and learning to let children face difficult emotions rather than shielding them from life’s hardships.
Reflecting on the film’s success, Hale shared his excitement at how Sketch has exceeded expectations at the box office in America, particularly as a small independent production. He praised Angel Studios for championing the project and helping it reach wide audiences, emphasising how rewarding it is to see people respond to a film he loves so deeply. Hale also spoke about the technical challenges of acting opposite imaginary creatures, recalling his past experience in movies like Alvin and the Chipmunks and Clifford the Big Red Dog. He credited director Seth for vividly guiding the cast through these effects-heavy scenes, describing the process as “playtime” that becomes incredibly satisfying once the visual magic comes together.
Finally, Hale expressed gratitude for his ongoing relationship with Angel Studios, who he says understood Sketch’s hopeful and truthful message despite it not being a faith-based film. He also reflected fondly on his comedy background in Veep and Arrested Development, sharing that humour remains a vital part of his creative life and even his new projects. Looking back on Sketch, he said the experience reaffirmed his belief in storytelling that blends fantasy with raw emotional truth. Above all, Hale hopes the film helps parents forgive themselves for their mistakes and lets children know that their feelings are valid — a simple but powerful message at the heart of his most personal work yet.
