Featuring author Iain Sinclair and with a truly impressive performance from brilliantly eclectic singer Claudia Barton as Edith herself, the film is a pilgrimage of sorts which seeks to retrace Harold’s lover’s journey from Waltham Abbey in Essex via Battle Abbey to St Leonards-On-Sea to be reconnected with her dead king.
Edith Walks presents its viewers with the choice to either embrace the weirdness and go with it, or be left none the wiser. There are shades of Cervantes’s Don Quixote, as the group meanders through the English countryside in search of a piece of history. Kötting offers up a truly captivating look at a story which may not be familiar to most of us. Many would have seen the statue depicting Edith on Hasting’s seafront without ever wondering about the real woman behind the legend. Kötting et al do a great job in lifting the veil on this story all the while managing to have a huge amount of fun doing it. The camaraderie which develop between the principle protagonists over the five days, is clear to see from their interactions alone.
Kötting’s film may not be for everyone, but if psycho-geography is your bag, and even if it isn’t, Edith Walks is a real eye opener and shows just how much can be achieved with very little material and even less money. The film perhaps shouldn’t be seen as a stand alone piece of filmmaking, but rather as part of Kötting’s general body of work which is well worth delving into. A truly unusual film which offers way more than you would have bargained for.
Edith Walks is released on June 23rd.