Director Oliver Hirschbiegel first came to our attention with the exceptional “Downfall”, a film about Hitler’s last days.

Sadly, he then followed that up with “Invasion”, a fairly lifeless reworking of Invasion of the Body Snatchers, although that seems to have had more to do with problems with the studio than with Hirschbiegel himself.

Variety have news this morning of a new project for Hirschbiegel, namely an adaptation of The Dark Side of the Moon, a novel by Swiss author Martin Stutor.

David Marconi (Enemy of the State, Die Hard 4.0) will draft the script, all about a lawyer who starts to dabble in magic mushrooms, discovering in the process of the ensuing trip that the life he had built for himself was no longer satisfying. As a result, he begins to withdraw from society. Apparently, the novel has already been translated into eight different languages and shooting is due to start in Switzerland, France and Germany in Spring 2011.

Hirschbiegel has a fair amount on his plate right now. “Five Minutes of Heaven”, with Liam Neeson and James Nesbitt, is the story of a meeting between a UVF killer and the brother of one of his victims and did the festival circuit last year. He is also currently working on The Angel Face, a German biopic about Giorgio Basile, a German mafia hitman who became a state witness against the Italian mafia in the late 1990’s.

There’s no word on casting yet and as always, watch this space for more news as we get it.

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Dave has been writing for HeyUGuys since mid-2010 and has found them to be the most intelligent, friendly, erudite and insightful bunch of film fans you could hope to work with. He's gone from ham-fisted attempts at writing the news to interviewing Lawrence Bender, Renny Harlin and Julian Glover, to writing articles about things he loves that people have actually read. He has fairly broad tastes as far as films are concerned, though given the choice he's likely to go for Con Air over Battleship Potemkin most days. He's pretty sure that 2001: A Space Odyssey is the most overrated mess in cinematic history.