From the 12th to the 27th of October the 55th BFI London Film Festival brings its annual box of delights to the capital. Earlier today the full programme was announced, and it look like being another fine year.
We already know that Fernando Meirelles’ latest 360 will open proceedings on the 12th and fifteen days later Terence Davies’ The Deep Blue Sea will bring the festival to a close but there are many more great films to come and see in London this October.
There was a familiar feeling creeping across the audience this morning that a lot of the films had, like last year, already played elsewhere but this is only a small consideration when you consider the scope of the festival’s remit. To bring a vital, fresh and horizon-expanding series of features, shorts and documentaries is no easy task, and while the more well known films have played a handful of festivals already there were some fantastic teases on display in the handy montage which was played, mostly from the table of World Cinema and new British directors. This is where the festival succeeds when it can’t compete with other festivals on World Premieres. Bringing new ideas and new visions into the Capital is what the LFF does well and this year looks to be doing exactly that.
This is Not a Film from Iranian directors Mojtaba Mirtahmasb and Jafar Panahi is playing, Dominik Moll’s take of Matthew Lewis’s The Monk makes up part of the French Revolutions set and Eddie Marsan stars in Tinge Krisnan’s Junkhearts, which from the clip shown looks like one to watch from the New British Cinema line up.
Others to watch: Miss Bala, Martha Marcy May Marlene, 50/50, The Awakening from the pen of Steven Volk, Richard Linklater’s Jack Black starring Bernie, and the featured restoration of Miles Mander’s 1928 The First Born with live score. Last year’s restoration of The Great White Silence was a huge success and this film looks to be continuing that trend.
Michel Ocelot’s Les contes de la nuit (Tales of the Night) looked intriguing given the animation style and the proclamation that it was to be in 3D was a welcome one. Abi Morgan and Alexandre Desplat join Miranda July in the festival’s Masterclasses, Alexander Payne and Michael Winterbottom are giving talks.
We’ll get to see Michael Fassbender pursue A Dangerous Method and Shame, John C. Reilly has Terri and We Need to Talk About Kevin while George Clooney returns again to London with Alexander Payne’s The Descendants and The Ides of March.
Cannes favourite The Artist should entrance the London crowds and Giorgos Lanthimos’s follow up to Dogtooth, Alps is also playing.
As with every festival the Invitation is an open one. Immerse yourself in it.
Keep up to date with the happenings at the festival on their spiffing Facebook page and we plan to cover as much of the festival as is humanly possible here on HeyUGuys.
Here’s the press release with the full line-up.
London, Wednesday 7 September: The programme for the 55th BFI London Film Festival in partnership with American Express launched today by Artistic Director Sandra Hebron, celebrates the imagination and excellence of international filmmaking from both established and emerging talent. Over 16 days the Festival will screen a total of 204 fiction and documentary features, including 13 World Premieres, 18 International Premieres and 22 European Premieres. There will also be screenings of 110 live action and animated shorts. Many of the films will be presented by their directors, cast members and crew, some of whom will also take part in career interviews, masterclasses, and other special events. The 55th BFI London Film Festival will run from 12-27 October.
GALAS & SPECIAL SCREENINGS:
Opening the festival is Fernando Meirelles’ 360, written by Peter Morgan, and starring Sir Anthony Hopkins, Jude Law and Rachel Weisz. Weisz is also the star of Terence Davies’ closing night film, THE DEEP BLUE SEA, alongside a cast which includes Simon Russell Beale and Tom Hiddleston. Key talent will be in attendance for both films. George Clooney features in two Gala presentations – the political thriller THE IDES OF MARCH which he directs and stars in alongside Ryan Gosling, Evan Rachel Wood, Philip Seymour Hoffman and Paul Giamatti, and THE DESCENDANTS, Alexander Payne’s latest feature. Among several literary adaptations are Lynne Ramsay’s WE NEED TO TALK ABOUT KEVIN with Tilda Swinton, John C. Reilly and Ezra Miller; TRISHNA, Michael Winterbottom’s reworking of Thomas Hardy’s Tess of the D’Urbervilles, with Freida Pinto and Riz Ahmed; and CORIOLANUS with Ralph Fiennes directing as well as taking the lead role alongside Gerard Butler and Vanessa Redgrave. Redgrave is also cast in Roland Emmerich’s ANONYMOUS with Rhys Ifans, Joely Richardson and David Thewlis. Madonna directs romantic drama W.E. which stars Abbie Cornish, Andrea Riseborough and James D’Arcy whilst Steve McQueen’s second feature SHAME has a cast that includes Carey Mulligan and Michael Fassbender. Fassbender can also be seen alongside Viggo Mortensen and Keira Knightley in David Cronenberg’s A DANGEROUS METHOD. Foreign language cinema is represented by THE KID WITH A BIKE, the Cannes Grand Prix winner from the Dardenne brothers; Nanni Moretti’s WE HAVE A POPE; and Michel Ocelot’s enchanting animation TALES OF THE NIGHT. Hollywood’s silent era is celebrated in Michel Hazanavicius’ THE ARTIST whilst this year’s Archive Gala is the BFI National Archive’s restoration of Miles Mander’s THE FIRST BORN with a new score by Stephen Horne.
FILM ON THE SQUARE:
Showcasing some of this year’s most anticipated and acclaimed films, the selection includes work from renowned directors such as Roman Polanski (CARNAGE), Gus Van Sant (RESTLESS), Werner Herzog (INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE), Todd Solondz (DARK HORSE), Jonathan Demme (I’M CAROLYN PARKER) and Jonas Mekas (SLEEPLESS NIGHTS STORIES). Star power is provided by Jack Black in Richard Linklater’s BERNIE; Sean Penn in Paolo Sorrentino’s THIS MUST BE THE PLACE; Joseph Gordon-Levitt teams with Seth Rogen in Jonathan Levine’s 50/50, whilst Woody Harrelson stars in Oren Moverman’s RAMPART, developed from a screenplay by James Ellroy. British films include Andrea Arnold’s bold retelling of WUTHERING HEIGHTS, Marc Evans’ HUNKY DORY, a celebration of pre-punk 70s pop culture, and Nick Broomfield’s SARAH PALIN – YOU BETCHA! International cinema takes centre stage in the West End with a powerful selection of premieres including Norway’s Joachim Trier’s stunning OSLO, AUGUST 31st; Bruno Dumont’s provocative HORS SATAN; and Cannes Grand Prix winner Nuri Bilge Ceylan’s audacious ONCE UPON A TIME IN ANATOLIA. Mexico’s Gerardo Naranjo delivers a thrilling action film with MISS BALA, whist divided family life in Japan is the focus of Hirokazu Kore-eda’s engaging I WISH, and Australia’s most infamous serial murder case inspires Justin Kurzel’s first feature SNOWTOWN. Other feature debuts include Dee Rees’s emotionally powerful PARIAH; Sean Durkin’s beautifully disturbing MARTHA MARCY MAY MARLENE and Nick Murphy’s 1920s set supernatural tale THE AWAKENING.
NEW BRITISH CINEMA:
Original cinematic voices from across the UK making their debuts this year include D.R. Hood with the haunting WRECKERS starring Claire Foy and Benedict Cumberbatch, and Tinge Krishnan with the social drama JUNKHEARTS in which Eddie Marsan heads a cast which includes Tom Sturridge and Romola Garai. London is the setting for Dexter Fletcher’s drama WILD BILL, starring Charlie Creed-Miles; and Andrew Haigh’s second feature, WEEKEND, is an original and affecting romance. Nirpal Bhogal’s fresh young cast enliven urban drama SKET, and LOTUS EATERS finds director Alexandra McGuinness introducing us to the city’s indulgent, affluent youth. Frances Lea’s STRAWBERRY FIELDS provides an escape to the country with a story of lust, rivalry and liberation. A strong selection of British work include films which imaginatively blur the boundaries between documentary and drama such as Richard Jobson’s response to the Iraq war, THE SOMNAMBULISTS, Simon Pummell’s SHOCK HEAD SOUL and DREAMS OF A LIFE by Carol Morley. Paul Kelly’s portrait of cult hero, LAWRENCE OF BELGRAVIA and Daniel Edelsyn’s HOW TO RE-ESTABLISH A VODKA EMPIRE round out the documentary selection.
The focus on French cinema brings a wide range of new and established filmmakers including Dominik Moll, with THE MONK starring Vincent Cassel and Geraldine Chaplin. Chaplin also appears with Salma Hayek in AMERICANO, the feature debut of actor Mathieu Demy. From the directorial team of Nicolas Klotz and Elisabeth Perceval, LOW LIFE is a study of the trials facing French youth that has universal resonance whilst Laurent Achard provides a macabre touch in LAST SCREENING and popular comedian Emmanuel Mouret brings wry comedy to THE ART OF LOVE. Among a number of French directors returning to the Festival are Mathieu Amalric with a modern adaptation of Corneille’s classic play, THE SCREEN ILLUSION, Jean-Marc Moutout examining executive culture in EARLY ONE MORNING and Mathieu Kassovitz directing himself in the provocative military drama, REBELLION.
A diverse selection of filmmakers bring Europe into focus with films from countries including Belgium, Bulgaria, Ireland, Sweden, Austria, Romania, Poland, Slovakia, The Czech Republic, Denmark, The Netherlands, Russia and Iceland, as well as Italy, Spain and Germany. Highlights include Benito Zambrano’s post-Spanish Civil War drama THE SLEEPING VOICE; Iceland’s Rúnar Rúnarsson’s VOLCANO; Angelina Nikonova’s TWILIGHT PORTRAIT, a study in Russian institutional corruption, Andrea Molaioli’s Italian conspiratorial drama THE JEWEL , Ulrich Köhler’s SLEEPING SICKNESS and the World Premiere of Hans Weingartner’s HUT IN THE WOODS. There are a number of outstanding directorial debuts which include Jonathan Cenzual Burley’s absurdist road movie, THE SOUL OF FLIES; Andrea Segre’s LI AND THE POET and Marie Kreutzer’s THE FATHERLESS. From Germany, the unique DREILEBEN project brings together Christian Petzold, Dominik Graf and Christoph Hochhäusler with three very different features that share an incidental starting point. Documentary features include Andrey Paounov’s THE BOY WHO WAS A KING and WHORES’ GLORY from Michael Glawogger, who will be one of the four Austrian filmmakers with work in the Festival who will be participating in a special panel discussion on the current state of Austrian cinema.
An extensive selection of the finest features and documentaries from across the globe includes new films from well known filmmakers and emerging voices. Highlights from the US include NATURAL SELECTION, the brilliant debut from Robbie Pickering that swept the board at this year’s SXSW Film Festival awards; Ken Kesey and The Merry Band of Pranksters’ trek across America is revisited in MAGIC TRIP from directors Alison Ellwood and Alex Gibney; whilst a journey of a different kind features in Braden King’s HERE, part road-movie, part love-story and part investigation of cinema itself. Tristan Patterson’s skateboarding documentary DRAGONSLAYER and Michael Barnett’s hugely entertaining SUPERHEROES about real life crimefighters offer fascinating glimpses of American life. Latin American cinema is well represented with HARD LABOUR, a blistering dissection of the class structure of Brazilian society from directors Juliana Rojas and Marco Dutra; KAREN CRIES ON THE BUS, the debut feature from Colombia’s Gabriel Rojas Vera; Laura Citarella’s OSTENDE and Santiago Mitre’s THE STUDENT, both from Argentina. The notable rise of ethnically Tibetan filmmaking is evidenced in Pema Tseden’s OLD DOG and Sonthar Gyal’s THE SUN-BEATEN PATH whilst other East Asian highlights include Hong Sangsoo’s THE DAY HE ARRIVES and Kim Kyung-Mook’s STATELESS THINGS, both from South Korea; Jiang Wen’s LET THE BULLETS FLY, China’s highest-grossing film; Ann Hui’s A SIMPLE LIFE, and Yuya Ishii’s MITSUKO DELIVERS. Indian cinema is represented this year by titles including Salim Ahamed’s ABU, SON OF ADAM, a rare and poignant tale of Muslim community life in Kerala; Gurvinder Singh’s ALMS OF THE BLIND HORSE and Kaushik Mukherjee’s cult film in the making ASSHOLE.
This year’s programme features an innovative and cutting edge selection of films to inspire. Highlights include TWO YEARS AT SEA, the new work from Jarman Prize nominee and Rotterdam Tiger Award winner Ben Rivers; CORRESPONDENCE: JONAS MEKAS – JL GUERÍN, a series of five cinematic letters presented in Spanish and English; and FREE RADICALS: A HISTORY OF EXPERIMENTAL FILM from Pip Chodorov. Lewis Klahr returns to the Festival with THE PETTIFOGGER and other featured filmmakers include Phil Solomon, Chick Strand, Gabriel Abrantes, Robert Fenz and Nathaniel Dorsky. Altered States is a selection of shorts from filmmakers including Ben Russell, Neil Beloufa, Mary Helena Clark and Deborah Stratman.
TREASURES FROM THE ARCHIVE:
Highlighting invaluable restoration work, these cinematic treasures will entertain and capture the imagination in equal measure. Titles include a digital restoration of George Sidney’s exuberant, good-natured satire on rock’n’roll BYE BYE BIRDIE with Janet Leigh; Humphrey Bogart stars in Edward Dmytrik’s epic THE CAINE MUTINY; Elia Kazan’s Oscar-winning AMERICA, AMERICA and Marcel Carné’s timeless masterpiece, LES ENFANTS DU PARADIS. The latest restoration by Martin Scorsese’s World Cinema Foundation, LAW OF THE BORDER will also feature alongside the little seen Roberto Rossellini film, THE MACHINE THAT KILLS BAD PEOPLE. One of two colour features from the prolific Japanese master Kenji Mizoguchi, SHIN-HEIKE MONOGATARI, will play in the section along with WE CAN’T GO HOME AGAIN by Nicholas Ray, a film which anticipated experiments by Jean Luc Godard, Mike Figgis et al. And from close to home comes WONDERFUL LONDON programme, restored by the BFI National Archive, in which directors Harry B. Parkinson and Frank Miller capture some of the most evocative images of the capital in the mid-1920s.
SHORT CUTS AND ANIMATION:
A strong line-up of short films and animation that will captivate audiences young and old make up this year’s programme. Animation from around the globe is covered including a dedicated collection aimed at the younger audience, Animated Shorts for Younger Audiences, which include FUNNY ALPHABET and PICKELS IN A PICKLE. Exciting new filmmakers from the capital are showcased in London Calling, experiences of modern urban living are the focus of The Suburbs, and LONG DISTANCE INFORMATION and HOLD ON ME feature in The School of Life, a series dealing with issues such as family duty and conscience. Talent spotters will be able to see established names including Nicholas Hoult, Michael Fassbender and Luke Treadaway, along with new shorts from director Terry Gilliam and comedian Matthew Holness.
To accompany the screenings, the festival will present an extensive programme of public events featuring panel discussions, on-stage interviews and masterclasses. There will also be a number of free events. This year’s Screen Talks, presented in partnership with American Express, feature directors Michael Winterbottom and Alexander Payne. The Masterclasses, presented in partnership with Swarovski, feature celebrated writer Abi Morgan, writer-director Miranda July, award-winning composer Alexandre Desplat and cinematographer Barry Ackroyd. Other highlights include an in-depth look at the making of WE NEED TO TALK ABOUT KEVIN with key members of the cast and crew, one of three free to access events presented in collaboration with Time Out.
The BFI London Film Festival Awards recognise creative excellence from both new and established filmmaking talent. Taking place on 26 October at LSO St Luke’s, awards presented include: Best Film, The Grierson Award for Best Documentary, The Sutherland Award for most imaginative and original first feature in the festival, Best British Newcomer Award and the BFI Fellowship. This year’s jurors and full awards shortlists will be announced on 4 Oct – full details will be available at bfi.org.uk/lff.
In addition to many of the names already highlighted, we expect to welcome guests including Alexander Payne, Andrea Arnold, Azazel Jacobs, Ben Rivers, Braden King, Bruno Dumont, Carol Morley, David Cronenberg, Dexter Fletcher, Elisabeth Olsen, Fernando Meirelles, Freida Pinto, George Clooney, Hans Weingartner, Harry Belafonte, Jean-Pierre and Luc Dardenne, Joe Swanberg, Jonas Mekas, Jonathan Demme, Lynne Ramsay, Marina Goldovskaya, Michael Fassbender, Michael Shannon, Michael Winterbottom, Miranda July, Nanni Moretti, Nuri Bilge Ceylan, Phil Solomon, Ralph Fiennes, Roland Emmerich, Sean Durkin, Shailene Woodley, Terence Davies and Yorgos Lanthimos.